Hyacinthe Rigaud

Charles de Saint-Aubin (1698-1764), Archbishop of Cambrai

Portrait of Charles de Saint-Albin, Archbishop of Cambrai, 1723

Known primarily for his portraits of King Louis XIV and other aristocracy, Hyacinthe Rigaud was born on July 18, 1659. His type of portraiture is obviously quite formal and not quite as accessible as the Impressionists I've been talking about these last couple of posts, but Rigaud deserves to be noted for his superb technique and exquisite drapery and color. In the above painting of Charles de Saint-Albin we see incredible detail in the greyish-blue robe...highlights that would have taken ages to paint. Note the shadow of the book on his robe.

Etudes pour le portrait de Philipp-Ludwig Wenzel von Sinzendorf, 1739

Jean-Baptiste de Montginot, 1688

The solidity of this man has a sculptural quality to it. In this world of aristocracy and pomp, the clothes definitely make the man, and Rigaud goes to considerable length to describe them to us. What is curious about this work is the expression of pride in the man's face for the woman in the portrait he is holding. I'm not sure who he is nor the woman but I am sure it was an expensive commission for Rigaud.

Portrait of Gaspard de Gueidan playing the musette, 1738

A visual feast for the eyes, Rigaud takes detail and guides our eyes around the figure. This complex palette seems like it would not work in a painting but Rigaud pulls it off effortlessly while esteeming his client.

Saint André, ca.1700's
This is quite a sensual interpretation of Saint Andrew, who was a popular subject in sculpture during the Renaissance and Baroque. Here Rigaud gives him the body of a young man in his prime. It's affected, to be sure, but intriguing nonetheless.

La Menasseuse, 1709

I love this portrait. Mysterious and dramatic, yet very sensual. Rigaud must have had an influence on many of the great fashion photographers for his low-key lighting and attention to detail in costumes. Note the subtle purple glazing on her dress. Rigaud knew how to make royalty look good.

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Isaac Levitan, Russian Poet of Nature

Before the Storm, 1890 Born August 30, 1860, Isaac Ilyich Levitan was a Russian landscape painter. Born in Congress Poland to a Jewish family, Levitan would study art in Moscow where he would become friends with Anton Chekov and his brother, Nikolay who was also an artist. Levitan's work has a unique mood that is very distinct from the Impressionism of France and the Classicism of Russia...sometimes compared to Monet but still different. Levitan has a rare presence with astute attention to detail and a fascination with light at different times of day. At times highly accurate, while in his more personal work deeply Impressionistic and imbued with rich tone and color. There is something about Levitan that lingers in your mind long after seeing his work...in a way that is individual and personal, not attached to a specific genre or movement, but to the world around him. In Before the Storm , Levitan captures a moment so stunning it seems to defy words...of sunlight piercing

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Open Air Interior, 1892 Born on January 4, 1866 in Barcelona, Ramon Casas i Carbó was a Spanish portrait painter and graphic designer. He was a contemporary of Santiago Rusiñol , both founders of the Spanish art movement modernisme . Where Santiago painted pensive interiors and moody landscapes, Casas focused more on the portrait and figure with a penchant for costume and posture. His palette often consists of more muted tones with vibrant color accents. Casas enjoyed a lengthy and prominent career throughout Europe and South America where he often exhibited in shows with his friend Rusiñol. In Open Air Interior above, Casas encapsulates a quiet moment outdoors during tea time. I love these kind of paintings for their calm visual intensity. The way that man sits in his chair, lost in thought while his wife carefully stirs her tea...this is the kind of mindfulness in the subjects that makes us, the viewer, envision ourselves in this scene. Casas paints the far wall of the house

beside the easel

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