Hyacinthe Rigaud

Charles de Saint-Aubin (1698-1764), Archbishop of Cambrai

Portrait of Charles de Saint-Albin, Archbishop of Cambrai, 1723

Known primarily for his portraits of King Louis XIV and other aristocracy, Hyacinthe Rigaud was born on July 18, 1659. His type of portraiture is obviously quite formal and not quite as accessible as the Impressionists I've been talking about these last couple of posts, but Rigaud deserves to be noted for his superb technique and exquisite drapery and color. In the above painting of Charles de Saint-Albin we see incredible detail in the greyish-blue robe...highlights that would have taken ages to paint. Note the shadow of the book on his robe.

Etudes pour le portrait de Philipp-Ludwig Wenzel von Sinzendorf, 1739

Jean-Baptiste de Montginot, 1688

The solidity of this man has a sculptural quality to it. In this world of aristocracy and pomp, the clothes definitely make the man, and Rigaud goes to considerable length to describe them to us. What is curious about this work is the expression of pride in the man's face for the woman in the portrait he is holding. I'm not sure who he is nor the woman but I am sure it was an expensive commission for Rigaud.

Portrait of Gaspard de Gueidan playing the musette, 1738

A visual feast for the eyes, Rigaud takes detail and guides our eyes around the figure. This complex palette seems like it would not work in a painting but Rigaud pulls it off effortlessly while esteeming his client.

Saint André, ca.1700's
This is quite a sensual interpretation of Saint Andrew, who was a popular subject in sculpture during the Renaissance and Baroque. Here Rigaud gives him the body of a young man in his prime. It's affected, to be sure, but intriguing nonetheless.

La Menasseuse, 1709

I love this portrait. Mysterious and dramatic, yet very sensual. Rigaud must have had an influence on many of the great fashion photographers for his low-key lighting and attention to detail in costumes. Note the subtle purple glazing on her dress. Rigaud knew how to make royalty look good.

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Orazio Riminaldi

Samson defeats Philistines, 1625 A painter from Pisa, Orazio Riminaldi was a Baroque tenebrist born in 1586 on September 5th. Riminaldi was unfortunately one of many painters who died young, in his case from the plague in 1630, but it is what he accomplished in those brief years that merits attention. Riminaldi's expressive faces and body language, along with superb skin tones and dramatic skies, take his art to a deeper level than some his contemporaries, who were perhaps more cautious in their techniques. Look at the fury of the scene above. It is quite rare in painting to see a pile of bodies with a warrior like Samson no less, stepping on top of one while grabbing the hair of another. And yet Riminaldi manages to make it look majestic and noble. The anatomy of the figures shows foreshortening combined with Caravaggio's chiaroscuro in a tight yet carefully arranged composition. By making it vertical, in a triangular design, it heightens the sense of drama while requi...

Bouguereau

Nymphs and Satyr, 1873 If there is one artist today that hardly needs an introduction, it would be William-Adolphe Bouguereau , supreme giant of 19th century Academic art. Born on November 30, 1825 in La Rochelle on the southwest of France, his talent would define the era he lived in only to fall into obscurity for decades after his death in 1905 until as recent as the early 1980's, shockingly. Today he has the distinction of being lionized by the Art Renewal Center as one of the greatest artists of all time while at the other end of the spectrum vilified by modernists as artificially perfect and sentimental. In fact it is quite rare to see such polarization over an artist of a calibre like Bouguereau, whose bravura is difficult to equal yet at the same time thematically his work admittedly tends toward women and children, a subject matter that sold well and he had endless patience for. Over the vast array of his oeuvre, some 820 paintings, I have tried to fi...

Carl Holsøe, Master of Rooms

The Artist's Wife sitting at a Window in a sunlit Room, ca.1900 Carl Vilhelm Holsøe was born on the 12 of March, 1863 in northeast Denmark. Holsøe studied in Copenhagen and under the Danish Master Peder Krøyer . Unlike many painters who worked outdoors and favored the majestic landscapes of their environment, Holsøe chose the psychological mood of the domestic interior and the way light spills into rooms. Although Holsøe is often compared to his contemporary and friend, Vilhelm Hammershøi , Holsøe is more authentic and less vacant emotionally. His use of sunlight captures the mindfulness of the moment in a way that is reminiscent of Dutch Masters, utilizing the power of quiet and reading as emotionally satisfying and tranquil. In the painting above, his wife sits in a kitchen chair looking out the window. On the table are cups of tea and a teapot that Holsøe gently lights the rims. The drapes are of a texture so thick it almost seems like pastel. Look at the greenish reflect...

beside the easel

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