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Showing posts with the label sunlight

Elin Danielson-Gambogi, Elegance and Grace with a Brush

Mother, 1893 Elin Kleopatra Danielson-Gambogi was born September 3, 1861 in southwest Finland. She moved to Helsinki for her early art education then travelled and studied in Paris and finally Florence, Italy under a scholarship for a year until she moved to northern Italy in a small village called Antignano where she met her husband, painter Raffaello Gambogi . Elin only lived to the age of 58, but in her short time produced a solid, diverse body of work that embraces the individuality and strength of women and nature. Her broad spectrum and saturation of colors is fascinating in that she was equally drawn to many different kinds of light and all the effects they produce. In Mother above, Elin captures a quiet, tender moment with a palette of earth colours, greys and white. Love how that window is painted in thick, impasto strokes of almost pure white that fade as she scumbles the edges to simulate transparent drapes—an absolutely brilliant effect. Elin...

Joseph DeCamp, Impressionist Poet

The Cellist, 1908 Joseph DeCamp was an American painter born in Cincinnati, Ohio on November 5, 1858. Having studied in Europe he returned to America where he worked under the Boston School with artists such as William McGregor Paxton , Edmund C. Tarbell and John Joseph Enneking among others. Later on he would form a group of American Impressionists known as the Ten American Painters, including artists such as Childe Hassam , Willard Metcalf, John Henry Twachtman, and once again Edmund C. Tarbell. DeCamp's work is characterized by the Tonalism of predominantly women in deep shadows, vibrant color, elegant body language and pensive mood. In The Cellist above, DeCamp's palette is monochromatic yet he makes effective use of highlight and texture to convey his mood. Dry brush and warms illuminate the wall behind her, where the shadow side has traces of violet scumbled on top of grey and yellow tones while the bright side is smoky white. This technique continu...

Dutch Painter of Light

Meridional Landscape with Horsemen and a Cart drawn by Oxen; in the Background the Ponte Lucano over the Aniene and the Plautii Tomb, ca.1652 Jan Dirksz Both was a Dutch landscape painter born in Utrecht around 1609. Known as an Italianate painter, i.e a painter of lush italian-style landscapes inspired by Claude Lorrain and almost always from imagination, or capriccio . Both was a pioneer of using the drama of Baroque chiaroscuro in his vivid landscapes. Also interesting is how Both often painted artists painting or drawing, as subjects in the paintings, which was a theme sometimes seen in the works of artists such as Piranesi, Pannini , and Bellotto among others. Whereas most vedute painters incorporated strong elements of architecture in their scenes, Both focused more on the geography and verdant foliage and how light changes the landscape. In the above painting you can see how Both uses a very warm palette, even in his blues. Look at how the clouds are painted with thic...

The Quirky French Genius of Louis-Léopold Boilly

"Laughing Man" Study for a self portrait. Chalk, early 1800's Born July 5, 1761 Louis-Léopold Boilly was a prolific French portrait painter and draftsman. If there was ever an artist who whose biography would inspire a truly entertaining movie, Boilly would be the one. His career was active throughout the French Revolution and Napoleon, and yet his keen portrayal of the French middle class has a unique charm that makes him very likeable. As a draftsman, Boilly was one of a kind, probably better than his paintings, and his numerous oil sketches are excellent studies in themselves. Looking at his self-portrait above, you can instantly sense the vivacity and humor of this man without even reading a biography. Entrance to a free show at the Ambigu-Comique Theatre, 1819 Here we can immediately grasp Boilly's brilliant sense of group composition, action and space. Boilly takes a horizontal arrangement of figures and groups them by foreground, middle and backg...

Stanhope Forbes, Irish Poet of the Brush

The Health of the Bride, 1889 Irish painter Stanhope Alexander Forbes was born in Dublin on November 18, 1857. He was a founding member of the Newlyn School , which was an art colony of British artists in southwestern England that became very popular in the 1880's. They painted primarily en plein air to capture the majestic light and interesting characters of this small, modest fishing community—a theme that would recur throughout Forbes' career. What distinguishes Forbes from the rest of his artist colleagues was his naturalism, and a strong sense of narrative reminiscent of Joaquín Sorolla in being able to understand people and body language with an innate sense of group composition. I was fortunate enough to see The Health of the Bride above in Tate Britain in September and I was awed by its simple power and drama. Off to the right a sailor raises his glass to the bride and groom seated at the table while friends and family around the table are poised to sip from th...

Chiaroscuro Landscapes with a Forgotten Dutch Master

Italian landscape, ca. 1645 Born around 1615 in Utrecht, Netherlands, Jan Dirksz Both was a painter and etcher whose dramatic landscapes influenced Dutch painting deeply. Both spent time in Rome and Venice where he discovered several Masters, including the vibrant landscapes of Claude Lorrain. Where Lorrain used Classicism heavily in his paintings, with Roman architecture and figures, Both concentrated more on the luminous effects of light and elevated trees to a noble kind of natural architecture. Both also created atmosphere and mood with perspective in a way that not only depicts a view, but invites us to share a beautiful moment of fleeting sunlight. In Italian landscape above, Both leaves much of the foreground in shadow, something most landscape painters would never do. Note how the light is coming from the far left, beyond the frame of the painting. Look at how it falls across the rustic path—Both creates a sliver of light where his figures stand, on horseback, pos...

Sorolla, the Spanish Storyteller

"When an artist begins to count strokes instead of regarding nature he is lost. This preoccupation with technique, at the expense of truth and sincerity, is the principal fault I find in much of the work of modern painters." Joaquín Sorolla y Bastida Self Portrait, 1904 Spanish painter Joaquín Sorolla y Bastida was born on February 27, 1863 in Valencia, on the east coast of Spain. Known for various subject matter including landscapes, portraiture, and social themes, the key recurring themes in his body of work would be the ocean, sunlight, and children. Few artists have observed sunlight and innocence in quite the way Sorolla has, with his juicy brushwork and mastery of color blending. Sorolla's use of color in particular, is inspirational in how he creates mood and defines his subject by color. In the following examples we'll explore this motif in his work. In his Self Portrait above, Sorolla depicts himself with stern honesty. Note the subtle shades of ...

The Man Before Canaletto

Piazza Navona, Rome 1699 Caspar van Wittel was a Dutch veduta painter born on 1653 in Amersfoort, a medieval city in central Netherlands. He lived most of his life in Italy, specifically in Rome— becoming a member of the Accademia di San Luca— although he travelled all over the country. Wittel is considered among the very first to spur the veduta genre, even before Canaletto and Panini, making detailed studies from nature and pioneering the format we know today as the panorama, or wide-view of scenery. Affectionately known in his day as Gaspare degli Occhiali , (Caspar of the Eyeglasses) his views of the Italian countryside combined with beautiful architecture with local figures helped forge a rich , seductive genre that would have an immense impact on landscape art. In Piazza Navona above, (painted when Canaletto was about two years old) Wittel offers us a view that, even though we know it well to this day, here it still appears fresh and interesting to us. The cont...