Skip to main content

Posts

Henry Ossawa Tanner, Master of Mood

The Thankful Poor, 1894 Born June 21, 1859 in Pittsburgh, Pennsylvania, Henry Ossawa Tanner was an African-American artist. He was the first African-American to enroll in the prestigious Pennsylvania Academy of the Fine Arts in 1880, where he studied with Realist painter Thomas Eakens and was the only black student at that time. Tanner's work was characterized by an approach that synthesized elements of Impressionism, his Academic Classical training and genre subject matter that was influenced by his Methodist upbringing to include religious themes and a deep appreciation of the landscape. Just a boy during the The American Civil War years, Tanner experienced racism throughout his early life and as an artist in Philadelphia into his twenties, leading to his decision to leave America for Paris to study at the esteemed Académie Julian in 1891. Emboldened by this vibrant cosmopolitan society Tanner grew into his own style with greater depth. He became a highly esteemed Black a...
Recent posts

Telemaco Signorini, Macchiaioli Master

The Ghetto of Florence, 1882 Telemaco Signorini was an Italian artist born on August 18, 1835 in Florence. He was a prominent member of the Macchiaioli movement that arose in Italy during the 1850's roughly a decade before Impressionism began in France. From the Italian "macchie", meaning stain or patches, their work was heavily influenced by brushwork and the effects of light from Old Masters such as Rembrandt, Tintoretto and Velázquez. Italy during this time was under massive change and turmoil of the Risorgiomento , and for these artists the established themes of the past felt outdated and decided to turn their focus onto everyday life. The artists met at a local coffee shop called Caffè Michelangiolo , along with writers and patriots. Although their art has faded with time under the shadow of the Impressionists, their art was born of revolution and cultural rebirth, and as we will see here Telemaco was the signature artist of the group with a...

Alessandro Magnasco, the Dark Genius

The Tame Magpie, 1708 Born on February 4, 1667 in Genoa, Italy, Alessandro Magnasco was a late Baroque painter, aka. il Lissandrino. His style was highly distinctive and idiosyncratic—elongated, muscular forms in brisk brushwork reminiscent of Tintoretto along with some of his contemporaries: Tintoretto, Sebastiano Ricci, Francesco Solimena, and Giovanni Pellegrini. His strong shadows and vibrant colors are reminiscent of a Venetian style, yet suggest an ominous influence of Piranesi in his architectural capriccios. What makes him interesting is his highly idiosyncratic subject matter that was not common during his era, making him a genre painter by definition, or Bamboccianti as some may have described him. Highly individualistic or Romantic, his work is interesting so let's take a closer look. In The Tame Magpie above, an odd collection of people gather round to watch a man attempt to teach a magpie to sing. Some appear to be drunk and destitute, the woman ...

Frits Thaulow, Norwegian Impressionist for the Seasons

Ponte Pietra, Verona 1894 Frits Thaulow was born on October 20 1847 in Oslo (formerly Christiania), Norway. A member of the Skagen Painters, Thaulow studied in Copenhagen and under Hans Gude . Thaulow painted in Skagen for a few years before returning to Norway and finally moving to northern France where he found inspiration in the idyllic views there where he would explore tonalist Impressionism and a vibrant palette. Thaulow is one of the most underrated of Impressionist painters in his distinctive sense of color and light in his water reflections. He is more naturalist than Impressionist. His paintings immerse us into his world. In Ponte Pietra, Verona above Thaulow contrasts a rustic, ancient Roman bridge made of brick and travertine with the beautiful green tones in the water. This is a view from the right which is not often depicted in photos even today, and yet this has a freshness that makes us feel like we are standing at the very spot. Thaulow's muted brushwo...
After a lengthy hiatus from a very busy 2022, I have now refocused and set some time to return again here and focus on the art that inspires and teaches me constantly. J

The Dreamy Landscapes of Trouillebert

Rowboat, ca. 1800's Born on 1829 in Paris, France Paul Désiré Trouillebert was a French Barbizon painter. Often compared to Jean-Baptiste-Camille Corot for his very similar treatment of mood and trees, in fact one of Trouillebert's paintings was sold by a collector to the son of Alexandre Dumas (author of The Three Musketeers ) as a Corot with a forged signature. However, on this post I will be examining in closer detail why the style of Trouillebert is much more individual and distinct from Corot. In Rowboat above, Trouillebert varies the thickness and variety of the trees in this asymmetrical composition. What is beautiful about this painting is how the main source of light is a mysterious white glow at the horizon line of this very overcast day with the clouds becoming warmer as they near the top of the painting before turning dark to suggest imminent rain. Fishermen on a boat is not an entirely original theme, admittedly but the way i...

Hans Gude, Norwegian Lord of the Land and Sea

Norwegian Highlands in Sunrise, 185 Hans Fredrik Gude was born on March 13, 1825 in Oslo (formerly Christiania), Norway. A Romanticist from the Düsseldorf school of painting , a German Romanticist school in the mid-1800's that produced an impressive array of artists painting in a very detailed yet powerfully emotional way. The landscape as an artistic genre, although very common today, was often regarded as a lower genre and something not as "serious" as the more religious, historical or portrait genres that dominated the art world for centuries. German Romanticism changed that in a relatively short period of time and attracted artists from all over the world to study at the prestigious Düsseldorf Academy . Gude's career established him as an icon of Norwegian artists and became a master of the seascape and a distinguished art professor in his later years. He often collaborated with artist Adolph Tidemand, a highly skilled portrait and figure painter on ...