beside the easel

Man with the Cat (Henry Sturgis Drinker), 1898


Born on May 1, 1855, Cecilia Beaux was an American portrait artist from Philadelphia. Often compared to John Singer Sargent for her loose brushwork, Beaux studied in Paris under Tony Robert-Fleury and William-Adolphe Bouguereau to craft a style that was distinctly her own. Beaux developed a less formal sensibility than Sargent, except in her commissioned portraits, yet she maintains a human warmth in her subjects that is more spontaneous at times, whereas Sargent composed his paintings with an austere elegance. Where Sargent experimented with light and costume Beaux held an empathy with her sitters that reveals a more relaxed style of portraiture. Beaux was known to be a very independent and headstrong woman who lived a full life with many lovers yet never lost her sensitivity for her subjects.

In Man with the Cat above, Beaux takes a rather ordinary pose and through her incredible brushwork transforms this painting into magic. Henry Stur…

A Street in Normandy, ca. 1924

Born on the 19 of September in 1844 in western France, Marie Cazin was a French landscape painter and sculptor. Although little of her works appear online and she is often overshadowed by her artist husband, Jean-Charles Cazin, Marie was a painter of incredible mood and light. The period in which she was active was dramatic itself in that the established and conservative Salon of Paris was slowly loosing its stronghold on art and artists while Impressionism was beginning to emerge as a new art form. Cazin exhibited also in England and Belgium, where she found a herself as a painter that could capture the French countryside and sculpt people with equal brilliance.

In A Street in Normandy above, Cazin utilizes a distinct brushstroke that is not exactly Impressionist nor Post-Impressionist, but her own unique style. That warm faint glow of the sky in the distance between the buildings is poetry. What I admire about this painting also is how despite the mono…

Blue Interior, 1883

Born on the 21 of January in 1845, Harriet Backer was a Norwegian painter known for her introspective interiors and vivid colors. Having studied in Europe with various artists and travelled with her sister Agathe, a noted pianist and composer of the time, Backer became an influential artist pioneering both an Impressionist and Natural Realism. Backer travelled extensively not only throughout Europe but studied in her native land, and in Munich and Paris. Her work is characterized by a genre style of daily life infused with light and color not often seen, especially in her often thick brushwork which is sometimes reminiscent of her Swedish contemporary Anders Zorn, born twenty years after her. Despite not painting portraits or nudes, Backer's allure is in being able to articulate simplicity in a way that draws the viewer in, always experimenting with her brushstrokes and tonality...a poet of the people.

In Blue Interior above, we can clearly see how Backer often…

The Three Droves, 1656


Born October 1, 1620 in Haarlem, Netherlands, Nicolaes Berchem was a Dutch landscape painter. Berchem is known for his strong use of light, lush verdant landscapes and elegant figures yet sadly, is not given due attention for his incredible gifts. Berchem was an incredibly prolific painter and also produced many etchings and drawings during his lifetime in Haarlem and Amsterdam. Although not exactly a household name, Berchem was highly esteemed in his day. He taught some of the leading Dutch artists of the Golden Age, including Karel Dujardin, Pieter de Hooch, Jan van Huchtenburg, and Jacob Ochtervelt among others.

In The Three Droves above, Berchem's stunning light bathes this scene in romantic warmth. Judging by the greenish-yellow tone in the sky we see that Berchem glazed it in warm yellows, and the way that tree off to the right is silhouetted against that orange glow is breathtaking. He uses the warm tones as a motif throughout the painting, in some o…

Leonardo's most cryptic and virtually unknown work, Salvator Mundi sold for a mind-boggling $450 million dollars at Christie's New York to break a world record, more than paying for the painstaking restoration by the incredibly skilled hands of Dianne Dwyer Modestini. Read more about her process in this CNN article. This article by Gary Meisner talks about Da Vinci's use of Golden Ration proportions within the painting.

Although this kind of selling price has outraged many art critics and skeptics alike all over the world—how dare an Old Master work outsell a Van Gogh or other modern work? I'll leave the art market talk to the experts. In this post I hope to examine the painting more fully and explore how much of it is the hand of Leonardo and the rest possibly the hand of others including Melzi, among others. Am I disputing its authorship? Not necessarily. I have profound respect for Professor Martin Kemp and I'm sure he's right when he says that standing bef…

La paye des moissonneurs, 1882


Born July 31, 1844 in northern France, Léon Augustin Lhermitte was a French Realist painter. His work is characterized by rural scenes of peasant farmers much like his contemporaries such as Jean-François Millet and Jules Breton. Lhermitte, in contrast to these great painters, is lesser known yet his approach is more Classical and he had a much greater understanding of anatomy and body language.


In the above painting, La paye des moissonneurs, translated as the pay of harvesters, peasant farmers are given a day's wages for hard work from their landowners. You can tell by the way the figures to the left are seated on a concrete bench how defeated and tired they are yet eager for their pay, a biting comment on labor that we can all understand today, even with our modern conveniences. The man on the left is seated with his giant scythe, staring into space while his wife breastfeeds their child as the owner pays them in coins. The younger bachelor off to…

Pentecost, 1732


Jean Restout II was born on March 26, 1692 in Rouen, France. He comes from a long line of painters and is distinguised from his father, Jean I Restout or Jean Restout the elder (1666-1702). Misattribution is common between them, even within wikipedia where both artists are sometimes shown as having painted the same work. Restout II studied with his uncle, the great Jean Jouvenet.

In Pentecost above, Restout II depicts the 50th day after Easter, (sometimes called "White Sunday") where the Holy Spirit appears before the Apostles and Christians during the Jewish holiday known as the Feast of Weeks or Shavuot. Out of the various renditions of this holy event by other artists, Restout II's is the most impressive visually, both compositionally and in scale: the painting measures 4,65 m in height by 7,78 m in length! In the top center the Virgin Mary stands tall while balls of fire shoot out and touch the Apostles symbolizing the gift of tongues to help them eva…

La Place du Châtelet, ca. 1941





Born in Paris on December 11, 1854, Eugène Galien-Laloue was a French landscape and urban street painter. He worked under many aliases but is known mainly as Eugène Galien-Laloue. He painted mainly in gouache, taking advantage of the medium's quick drying time to produce more work while maintaining the painterly qualities that his astute Impressionism required. Although often imitated over the years by lesser artists, Galien-Laloue's work is strikingly clean and crisp...with careful lines in perspective, beautiful skies, and fashionable figures depicted in all seasons and all times of day.


In La Place du Châtelet above, Galien-Laloue's immediacy and freshness of the moment is so crisp and real you can almost smell the air. That contrast of hazy cool sky with the warm glow of the Théâtre du Châtelet's lights is captivating. Galien-Laloue paints the winter trees with very liquid brushstrokes while the figures have the exact sensation of mov…