Co-Founder of the Baroque

Ludovico Carracci, Emilian school ca.1600's

It is hard to underestimate the importance of the Carracci family on the Baroque, and the eldest member, Ludovico who was born today in 1555 formed a historic art school along with his cousins Agostino and Annibale, Accademia dei Desiderosi which later became Accademia degli Incamminati to symbolize the arduous path artists must undergo in developing their craft. Ludovico was the first to resist the Mannerist tendency of the late 1500's and return to an appreciation of nature, teaching such innovations as life drawing from the nude model as a regular curriculum, anatomy, and with help from Agostino and Annibale, the return to Humanism with the blending of Florentine and Venetian art. Ludovico wasn't the most talented of the three, but was a highly influential teacher and ran the school alone when Agostino and Annibale headed to work in Rome. Tingere non leccare, tint don't lick literally, meaning paint don't polish, was one of his many precepts.

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Isaac Levitan, Russian Poet of Nature

Before the Storm, 1890 Born August 30, 1860, Isaac Ilyich Levitan was a Russian landscape painter. Born in Congress Poland to a Jewish family, Levitan would study art in Moscow where he would become friends with Anton Chekov and his brother, Nikolay who was also an artist. Levitan's work has a unique mood that is very distinct from the Impressionism of France and the Classicism of Russia...sometimes compared to Monet but still different. Levitan has a rare presence with astute attention to detail and a fascination with light at different times of day. At times highly accurate, while in his more personal work deeply Impressionistic and imbued with rich tone and color. There is something about Levitan that lingers in your mind long after seeing his work...in a way that is individual and personal, not attached to a specific genre or movement, but to the world around him. In Before the Storm , Levitan captures a moment so stunning it seems to defy words...of sunlight piercing ...

More Old Master Drawings

There is nothing in all the world more beautiful or significant of the laws of the universe than the nude human body. Robert Henri Charles Louis Müller , A Standing Female Nude Leaning Against an Arch, ca.1864 Once again I decided to talk about some Old Master drawings and delve into the thinking behind how these drawings may have been created and the knowledge of the artist. In the above drawing by Müller, done in sanguine with white chalk highlights, the figure is drawn from a low view-point, with her body twisting toward her left side while resting on one knee. Note how Müller alternates the bent right leg with the bent left arm to create dynamic contrast. The right arm is also foreshortened and partially in shadow. Expressing power and femininity, this is a study that is Renaissance in spirit, even Mannerist, revealing the female nude as sculptural yet always graceful. Anton Raphael Mengs , Seated male nude viewed from the back, 1755 One of several Academic nu...

The Genius of Ramon Casas

Open Air Interior, 1892 Born on January 4, 1866 in Barcelona, Ramon Casas i Carbó was a Spanish portrait painter and graphic designer. He was a contemporary of Santiago Rusiñol , both founders of the Spanish art movement modernisme . Where Santiago painted pensive interiors and moody landscapes, Casas focused more on the portrait and figure with a penchant for costume and posture. His palette often consists of more muted tones with vibrant color accents. Casas enjoyed a lengthy and prominent career throughout Europe and South America where he often exhibited in shows with his friend Rusiñol. In Open Air Interior above, Casas encapsulates a quiet moment outdoors during tea time. I love these kind of paintings for their calm visual intensity. The way that man sits in his chair, lost in thought while his wife carefully stirs her tea...this is the kind of mindfulness in the subjects that makes us, the viewer, envision ourselves in this scene. Casas paints the far wall of the house...

beside the easel

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