beside the easel turns 2!!

Dulwich Picture Gallery, London 2013

Two years ago I had an idea for a blog about art history and my favourite artists of all time, celebrating their birthdays and their great art by in-depth analysis of some of their best works. Over the course of that time I have discovered numerous artists that I never would have known even existed without this blog. I have learned so much. It is truly humbling not only to have discovered artists, but to have learned and keep learning the most important skill any artist needs in this world: observation. The ability to see. And to compose those elements into a meaningful work that truly tells a story or moves you in a unique way. The goal of this blog has been to go beyond the countless blogs out there that show all kinds of art but without context or explanation. A fresh point of view can really change your opinion about an artist, or at least see some of their work with a different perspective.

In these past two years I have written about over a hundred artists from the Renaissance right up to the early nineteen hundreds, and although I do not claim to be an art historian or scholar of any sort, my opinions are based on observations and my background as an artist and photographer of many years. Factual information and biography can be found all over the internet on many artists, but my approach has been to celebrate artists who are not only the usual Old Masters that everyone knows like Rembrandt, Velázquez or Titian but lesser known greats who deserve as much credit for their talents. Art is about discovery and in that discovery, you learn about yourself and what you really appreciate and dislike. My sincere hope in you reading this blog is that you come away with a new perspective and understanding on art that goes beyond monosyllabic words like good, bad, nice, or cool. I also want to open the minds of people who exhort "so-and-so is the best! No one else comes close!" because that mentality reduces art to a kind of sport, which is ignorance. I have my favorites and biases as we all do, but as I mentioned earlier I have discovered so many geniuses that scarcely get praised today because their value at Christies is not stratospheric or because a prominent art critic dismissed them in some way.

I invite you to explore the various entries throughout the site if you haven't already. Look for more artists and also more topics about techniques and subject matter in the future. If you enjoy reading this blog please feel free to let me know. Thank you.

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Orazio Riminaldi

Samson defeats Philistines, 1625 A painter from Pisa, Orazio Riminaldi was a Baroque tenebrist born in 1586 on September 5th. Riminaldi was unfortunately one of many painters who died young, in his case from the plague in 1630, but it is what he accomplished in those brief years that merits attention. Riminaldi's expressive faces and body language, along with superb skin tones and dramatic skies, take his art to a deeper level than some his contemporaries, who were perhaps more cautious in their techniques. Look at the fury of the scene above. It is quite rare in painting to see a pile of bodies with a warrior like Samson no less, stepping on top of one while grabbing the hair of another. And yet Riminaldi manages to make it look majestic and noble. The anatomy of the figures shows foreshortening combined with Caravaggio's chiaroscuro in a tight yet carefully arranged composition. By making it vertical, in a triangular design, it heightens the sense of drama while requi...

Bouguereau

Nymphs and Satyr, 1873 If there is one artist today that hardly needs an introduction, it would be William-Adolphe Bouguereau , supreme giant of 19th century Academic art. Born on November 30, 1825 in La Rochelle on the southwest of France, his talent would define the era he lived in only to fall into obscurity for decades after his death in 1905 until as recent as the early 1980's, shockingly. Today he has the distinction of being lionized by the Art Renewal Center as one of the greatest artists of all time while at the other end of the spectrum vilified by modernists as artificially perfect and sentimental. In fact it is quite rare to see such polarization over an artist of a calibre like Bouguereau, whose bravura is difficult to equal yet at the same time thematically his work admittedly tends toward women and children, a subject matter that sold well and he had endless patience for. Over the vast array of his oeuvre, some 820 paintings, I have tried to fi...

Carl Holsøe, Master of Rooms

The Artist's Wife sitting at a Window in a sunlit Room, ca.1900 Carl Vilhelm Holsøe was born on the 12 of March, 1863 in northeast Denmark. Holsøe studied in Copenhagen and under the Danish Master Peder Krøyer . Unlike many painters who worked outdoors and favored the majestic landscapes of their environment, Holsøe chose the psychological mood of the domestic interior and the way light spills into rooms. Although Holsøe is often compared to his contemporary and friend, Vilhelm Hammershøi , Holsøe is more authentic and less vacant emotionally. His use of sunlight captures the mindfulness of the moment in a way that is reminiscent of Dutch Masters, utilizing the power of quiet and reading as emotionally satisfying and tranquil. In the painting above, his wife sits in a kitchen chair looking out the window. On the table are cups of tea and a teapot that Holsøe gently lights the rims. The drapes are of a texture so thick it almost seems like pastel. Look at the greenish reflect...

beside the easel

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