beside the easel turns 2!!

Dulwich Picture Gallery, London 2013

Two years ago I had an idea for a blog about art history and my favourite artists of all time, celebrating their birthdays and their great art by in-depth analysis of some of their best works. Over the course of that time I have discovered numerous artists that I never would have known even existed without this blog. I have learned so much. It is truly humbling not only to have discovered artists, but to have learned and keep learning the most important skill any artist needs in this world: observation. The ability to see. And to compose those elements into a meaningful work that truly tells a story or moves you in a unique way. The goal of this blog has been to go beyond the countless blogs out there that show all kinds of art but without context or explanation. A fresh point of view can really change your opinion about an artist, or at least see some of their work with a different perspective.

In these past two years I have written about over a hundred artists from the Renaissance right up to the early nineteen hundreds, and although I do not claim to be an art historian or scholar of any sort, my opinions are based on observations and my background as an artist and photographer of many years. Factual information and biography can be found all over the internet on many artists, but my approach has been to celebrate artists who are not only the usual Old Masters that everyone knows like Rembrandt, Velázquez or Titian but lesser known greats who deserve as much credit for their talents. Art is about discovery and in that discovery, you learn about yourself and what you really appreciate and dislike. My sincere hope in you reading this blog is that you come away with a new perspective and understanding on art that goes beyond monosyllabic words like good, bad, nice, or cool. I also want to open the minds of people who exhort "so-and-so is the best! No one else comes close!" because that mentality reduces art to a kind of sport, which is ignorance. I have my favorites and biases as we all do, but as I mentioned earlier I have discovered so many geniuses that scarcely get praised today because their value at Christies is not stratospheric or because a prominent art critic dismissed them in some way.

I invite you to explore the various entries throughout the site if you haven't already. Look for more artists and also more topics about techniques and subject matter in the future. If you enjoy reading this blog please feel free to let me know. Thank you.

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More Old Master Drawings

There is nothing in all the world more beautiful or significant of the laws of the universe than the nude human body. Robert Henri Charles Louis Müller , A Standing Female Nude Leaning Against an Arch, ca.1864 Once again I decided to talk about some Old Master drawings and delve into the thinking behind how these drawings may have been created and the knowledge of the artist. In the above drawing by Müller, done in sanguine with white chalk highlights, the figure is drawn from a low view-point, with her body twisting toward her left side while resting on one knee. Note how Müller alternates the bent right leg with the bent left arm to create dynamic contrast. The right arm is also foreshortened and partially in shadow. Expressing power and femininity, this is a study that is Renaissance in spirit, even Mannerist, revealing the female nude as sculptural yet always graceful. Anton Raphael Mengs , Seated male nude viewed from the back, 1755 One of several Academic nu

The Genius of Ramon Casas

Open Air Interior, 1892 Born on January 4, 1866 in Barcelona, Ramon Casas i Carbó was a Spanish portrait painter and graphic designer. He was a contemporary of Santiago Rusiñol , both founders of the Spanish art movement modernisme . Where Santiago painted pensive interiors and moody landscapes, Casas focused more on the portrait and figure with a penchant for costume and posture. His palette often consists of more muted tones with vibrant color accents. Casas enjoyed a lengthy and prominent career throughout Europe and South America where he often exhibited in shows with his friend Rusiñol. In Open Air Interior above, Casas encapsulates a quiet moment outdoors during tea time. I love these kind of paintings for their calm visual intensity. The way that man sits in his chair, lost in thought while his wife carefully stirs her tea...this is the kind of mindfulness in the subjects that makes us, the viewer, envision ourselves in this scene. Casas paints the far wall of the house

Isaac Levitan, Russian Poet of Nature

Before the Storm, 1890 Born August 30, 1860, Isaac Ilyich Levitan was a Russian landscape painter. Born in Congress Poland to a Jewish family, Levitan would study art in Moscow where he would become friends with Anton Chekov and his brother, Nikolay who was also an artist. Levitan's work has a unique mood that is very distinct from the Impressionism of France and the Classicism of Russia...sometimes compared to Monet but still different. Levitan has a rare presence with astute attention to detail and a fascination with light at different times of day. At times highly accurate, while in his more personal work deeply Impressionistic and imbued with rich tone and color. There is something about Levitan that lingers in your mind long after seeing his work...in a way that is individual and personal, not attached to a specific genre or movement, but to the world around him. In Before the Storm , Levitan captures a moment so stunning it seems to defy words...of sunlight piercing

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